Sari Mankani Maxi Hoop Earrings
14ct yellow gold, lacquer enamel
(Earrings can be sold individually)
Mankani is the Hindi name for the paisley which is such an enduring classic of Indian decorative culture. These threading hoops are a shape that Alice first saw in Goa, but which also have resonance in Indonesian jewellery culture.
The Sari collection is made in London; at least 4 people with over a century of learned skill are involved in the production of each Alice Cicolini piece.
The Sari collection is inspired by the myriad patterns, weaves and colours of this iconic 5 yard length of fabric. Within its dimensions, the sari holds so much symbolism; a marker of national and regional identity, different patterns and weaves can also be worn to mark the passing of the seasons, and the wrapping style indicating what traditions of work the wearer might come from. From the stark but rich simplicity of Kerala’s white and gold geometric lines, to the intricate riots of fronds, flowers and birds that characterise the textiles of Gujarat and Madya Pradesh, the sari encapsulates a universe of meaning.
This collection has been inspired by the subtleties of colour combination, the juxtaposition of matte and high shine surfaces created by woven gold in the saris of Benares and Kerala, the balance of transparency and opacity in the Jamdani style and the particular graphic rendering of temples and birds from the saris of Odisha. Alice has deployed elements of the granulation technique, established in Greece but carried to India by Alexander the Great and reimagined in the Indian style.
Alice has used rich tones of oranges, rust, plum, red and a mixture of opaque and transparent black, with stones such as carnelian, pink tourmaline, garnets and accents of coloured sapphire.
14ct yellow gold, lacquer enamel
(Earrings can be sold individually)
Mankani is the Hindi name for the paisley which is such an enduring classic of Indian decorative culture. These threading hoops are a shape that Alice first saw in Goa, but which also have resonance in Indonesian jewellery culture.
The Sari collection is made in London; at least 4 people with over a century of learned skill are involved in the production of each Alice Cicolini piece.
The Sari collection is inspired by the myriad patterns, weaves and colours of this iconic 5 yard length of fabric. Within its dimensions, the sari holds so much symbolism; a marker of national and regional identity, different patterns and weaves can also be worn to mark the passing of the seasons, and the wrapping style indicating what traditions of work the wearer might come from. From the stark but rich simplicity of Kerala’s white and gold geometric lines, to the intricate riots of fronds, flowers and birds that characterise the textiles of Gujarat and Madya Pradesh, the sari encapsulates a universe of meaning.
This collection has been inspired by the subtleties of colour combination, the juxtaposition of matte and high shine surfaces created by woven gold in the saris of Benares and Kerala, the balance of transparency and opacity in the Jamdani style and the particular graphic rendering of temples and birds from the saris of Odisha. Alice has deployed elements of the granulation technique, established in Greece but carried to India by Alexander the Great and reimagined in the Indian style.
Alice has used rich tones of oranges, rust, plum, red and a mixture of opaque and transparent black, with stones such as carnelian, pink tourmaline, garnets and accents of coloured sapphire.
14ct yellow gold, lacquer enamel
(Earrings can be sold individually)
Mankani is the Hindi name for the paisley which is such an enduring classic of Indian decorative culture. These threading hoops are a shape that Alice first saw in Goa, but which also have resonance in Indonesian jewellery culture.
The Sari collection is made in London; at least 4 people with over a century of learned skill are involved in the production of each Alice Cicolini piece.
The Sari collection is inspired by the myriad patterns, weaves and colours of this iconic 5 yard length of fabric. Within its dimensions, the sari holds so much symbolism; a marker of national and regional identity, different patterns and weaves can also be worn to mark the passing of the seasons, and the wrapping style indicating what traditions of work the wearer might come from. From the stark but rich simplicity of Kerala’s white and gold geometric lines, to the intricate riots of fronds, flowers and birds that characterise the textiles of Gujarat and Madya Pradesh, the sari encapsulates a universe of meaning.
This collection has been inspired by the subtleties of colour combination, the juxtaposition of matte and high shine surfaces created by woven gold in the saris of Benares and Kerala, the balance of transparency and opacity in the Jamdani style and the particular graphic rendering of temples and birds from the saris of Odisha. Alice has deployed elements of the granulation technique, established in Greece but carried to India by Alexander the Great and reimagined in the Indian style.
Alice has used rich tones of oranges, rust, plum, red and a mixture of opaque and transparent black, with stones such as carnelian, pink tourmaline, garnets and accents of coloured sapphire.